In many ways the streaming age has become the great equalizer. Lil Peep, a largely unknown emo rapper, can amass internet fame and help direct the future of a new hybrid genre. Yet music this year was defined by outrage, by progress, by passion and escapism. Listen to our Spotify playlist here or at the bottom of the page. It could be the greatest exploration of mortality in hip-hop, a universal song that's breathlessly honest to Lamar's own experience, place in the world, faith, and the fears that come with all of it.
Lorde seems like the only millennial qualified to sing about the modern teenager. Sure, her formative years were hardly normal, but she seems to have a removed objectivity about her peers that makes her an authority. Instead she exists in a fascinating middle ground.
This song is 15 minutes long and, honestly, I could take 15 minutes more. There's something transcendent about the movements, which grow from a feel-good motif to a spiritual chorus of voices. There's a true zest for life, like this is what happiness should feel like. It's possible to get so lost in the song's many wordless emotions that you can miss the drums, which almost ceaselessly shred for the entire quarter of an hour.
It's called "Truth," a title that gives all the information you need.
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Truth is life, it's growth, it's beauty, it's everything we take for granted while bombarded with television news, with the politics of hatred and conflict. This is a reminder that there's something greater out there. His whispering soprano is as delicate as a sob and as intimate and familiar as your own bedroom. His music is something to carry with you to augment your own experiences, which in the context of a movie provides the perfect emotional companion. Is it a person, is it a biblical allusion, or neither—just an expression of a feeling?
It takes a powerful debut song to knock the Queen of Pop, Taylor Swift, off the top of the pop charts. And that's what Cardi B did with the historically successful "Bodak Yellow. It makes total sense, too, as the song takes Cardi B's no-fucks-given approach to life that made her an Instagram and reality star. If that's not the perfect encapsulation of popular culture in , then I don't know what is. Nicole Miglis's vocal performance on "Blanket Me" is among the finest—if not the finest—of the year. Midway through the track, she enters a cyclical chant of the words "blanket me" that last for nearly two minutes.
It's a fascinating section of the song, and it's almost impossible to tell if her vocals are looped or if each utterance of the phrase is live. It's a chant that draws the listener into a trance, and even if her vocals are looped, each one sounds powerful—unique as if it's the first time she's ever sung the phrase. It's a performance that's never eclipsed by the pristine sound production on the rest of the band.
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Much has been written about Tyler, the Creator's intentions—good or bad. Writers, critics, and fans have tried endlessly to explain him, to make sense of the often crazy and sometimes brilliant shit he does in his music, his lyrics, and his performances. On his latest album, he again surprises every listener by making something that seems truly sincere.
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Lonely" is a fascinating and seemingly honest exploration of solitude. The only problem is that his number is " It happens again as Rihanna comes into her verse with a confident, comfortable groove. Lil Peep had been a fascination for me throughout the past year or so. His general aesthetic, his balance of emo and hip-hop, into something weird and unique, was a taste I was slowly coming to terms with when he died in November at the age of 21 from an overdose. This song remains a haunting reminder of the dangers of depression and drug abuse—one that has become a wake-up call for his many fellow artists and fans.
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Dua Lipa seemingly came out of nowhere in , releasing her debut album to impressive numbers and scoring massive tours with Bruno Mars and Coldplay. In fact, her following has gotten so big that she's embarking on her own arena tour in And that's because Lipa's mournful but upbeat pop music has arrived at the perfect time, when it feels like there's not much to be overtly happy about.
In , everything must have a "take. And, in that sense, it's kind of refreshing that Harry Styles doesn't have anything particularly difficult to say on "Sign of the Times. Equal rights. For everyone, all races, sexes, everything. And it's not the bravest stance. But, hell, it's nice that he's not problematic.
Along with the nostalgic, Beatles-esque ballad build and chord progression, there's ultimately something so safe and comforting about this song.
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Styles is on your side. Sunflower Bean emerged in with the coolest and strongest debut album of a New York band that year. Having been buzzing for the better part of a year, the band was a fresh take on a throwback, psych-leaning sound—propelled by the effortless style of frontwoman Julia Cumming.
Now, returning with their first new taste of new music since their arrival, the band has refined its sound, cleaned up a little touch, and added a lovely bit of mid-summer charm. When The Knife announced its dissolution after the triumphant Shaking the Habitual , it seemed like the conclusion of a very weird and very thrilling part niche of electronic music.
Thankfully, Karin Dreijer has returned as Fever Ray, a music project that needed for so many reasons. To be stuck forever thinking about boys means picturing Riz Ahmed with a teddy bear or Mac DeMarco licking a guitar. But the video itself is good evidence of how well Charli understands meme-able culture. Jay-Z hasn't been this honest on a track in decades.
While the headlines were obsessed with his marital problems, it's on "Smile" that Jay-Z opens up about his mother Gloria Carter coming out as a lesbian. Meek Mill has taken his share of Ws and Ls. And he's finally ready to put them all behind him, as he makes clear on " Flows.
If Mike WiLL Made-It didn't have such an incredible hit-making track record, I'd go as far as to say this was the best year of his career. First came Kendrick Lamar's "Humble," and now he's back again with a dreamlike beat that seems to be challenging the dexterity of Rae Sremmurd's Swae Lee and Slim Jxmmi. They have no problem with it, moving around on the beat like it's a goddamn jungle gym. The album's production was primarily handled by No I. The standard edition of the album contained no guest appearances; Big Sean and Childish Gambino were featured on the tracks "Alright" and "Driving Ms.
Daisy" respectively on the album's deluxe edition. Logic sought to create an album that would stand out as "beautiful, musical and melodic" while also including "raw lyricism". In order to establish his desired sound, his lyricism is heavily introspective, analyzing himself by exploring his ambivalent outlook on his newfound fame, his family, feelings of self-consciousness, success, and his struggles with addiction. His goal was to provide an autobiography which explicitly detailed the scenarios and experiences that impacted him during his rise in the music industry.
Kendrick Lamar. Good Kid, M. D City is the second studio album by American rapper Kendrick Lamar. The album serves as Lamar's major label debut, after his signing to Aftermath and Interscope in early It was preceded by the release of Kendrick's debut studio album Section. The album was recorded mostly at several studios in California, with producers such as Dr. Billed as a "short film by Kendrick Lamar" on the album cover, the concept album follows the story of Lamar's teenage experiences in the drug-infested streets and gang lifestyle of his native Compton.
D City received widespread acclaim from critics, who praised its thematic scope and Lamar's lyrics. Purple Swag. Mac Miller Albums.